Cor De La Bryere - A deeper look at the offspring of this sire of sires.

Learning the role of bloodlines has become critical for me since embarking on buying young warmbloods to train and develop as part of the program at Springstone Equestrian. Cor de la Bryere is one of the first sire of sires that you learn about in the production of  the modern sport horse, especially in jumpers. But Cor de la Bryere had so many successful sons, I often find it challenging to keep up with what current sires go back to which son. So, I decided to take the top 15 and put together the distinctive characteristics and photos to help keep them all straight.

Cor de la Bryere Offspring

Cor de la Bryere had 85 approved sons, known for passing on excellent bascule, quick front legs, ridability and floating, highly balanced canter. He added elegance to the raw jumping talent of the Holsteiner breed. He occurs in more than 70% of all Holsteiner pedigrees. Also very influential in the Oldenburg breed. Below are 15 of the most well-known sons and their significant offspring.

Out of Tabelle: by Heisspell, produced 5 sons by Cor de La Bryere. She was a full sister Samei, who was the dam of Granat (world champion dressage horse)

Calypso I

• Calypso I – description: smooth topline with well-carried neck, great shoulder and wither. Correct legs with high set hocks, great mover with lots of expression, produced 10 approved sons

Calypso II

• Calypso II – produced:
  • Chin Chin (out of Werther dam)
  • Contender (out of Ramiro Z dam) 
    
    Contender
    
    
  • Classiker (out of Nevado xx dam)
    
    Classiker
    
    
  • Champ of Class
  • Chasseur I (out of Prince Rouge xx dam)
    
    Chasseur I
  • Chasseur II (out of Prince Rouge xx dam)
    
    Chasseur II
    
    
  • Crazy Cocktail
  • Cardano (out of Gimpel dam)
    
    Cardano
    
    
  • Carismo (out of Akzent II dam)
    
    Carismo
    
    
  • Carbid (out of Graphit dam)
    
    Carbid
    
    

Out of Fergund:produced 6 approved sons

• Calando I – team bronze medalist in 1984 Olympics, damsire of Carthago, Cantauro, Cascavelle, Lord Z, and Lord Calando
  
  
• Calando II – VI : all very successful show jumpers
  
  Calando II
  
  

Out of Deka: By Consul produced 3 approved sons

• Caletto I – described as tall and imposing handsome face. Great jumper with great canter. 
  
  Caletto I
  
  
  Produced:
  • Calvaro Z – member of British Show Jumping team in 2000 Olympics
  • Cantus – produced many winning young including Calvaro, Calido, Come On
    
    Caletto II
    
    
• Caletto II – exceptional canter and form over fences, died young
  • Caretino, exceptional jump and movement

Out of Ligustra

• Cavalier Royale – well-known producer of sporthorses and FEI level eventing horses

Cavalier Royale

• Cicero

Out of Amoene – by Landgraf

• Come Back I – Highly successful in dressage and show jumping in UK
  
  
• Come Back II – Also highly successful in both dressage and jumping in Denmark reaching the highest levels and winningest horse in Denmark in 2001 and 2002
  
  Come Back II
  
  

Out of Thyra – by Landgraf

• Corland – gray stallion with highly successful international show jumping career. Exceptional producer of show hunters in the US
  
  Corland 
  
  

Out of Soleil – by Capitol I bringing the blood of Cottage Son xx

• Corrado I – gray stallion known for cleverness, quick reflexes, power and speed, but challenging with distractible, strong temperament, quite difficult to ride.
  
  Corrado I
  
  
  • Clinton -
    • Cornet Obolensky
  • Indorado – gray stallion out of Aida (Ahorn Z)
    
    Indorado
    
    
  • Contango

Out of Aleska – by Alme Z

• Cordalme Z – international show jumper, short listed for 1996 Olympics
  
  Cordalme Z
  
  

Out of Gustia - by Landgraf

• Cabaret – flagship stallion for Hilltop Farm, Grand Prix dressage horse
  
  Cabaret
  
  
• Corlandus – Dressage Champion stallion that was individual Silver Medalist at 1988 Olympics

Springstone Horses Influenced by Cor de la Bryere:

Luna - 2008 registered Danish Warmblood is by the Cantus son, Willemoes. Cantus is by the Cor de la Bryere son,  Caletto I. Luna's grandam is the Come Back II daughter, Louisiana.

J'adore - 2009 registered Belgian Warmblood is by Cicero Z who is by Carthago, the product of Capitol I and the Calando I mare Perra.

Coming out of Hibernation...

Wow, was February a miserable weather month! Already by the end of February 2013, we are 12 inches over the average annual rainfall. It has been wet, wet, wet! And when it is not wet, it has been frigid cold with steady gusts of icy wind. Needless to say we have been struggling to keep the horses on track with their training. Our farm unfortunately is all fields, no arenas and wet grass = slip'n slide riding experience. We have tried to stay creative in our accomplishments. For example practicing how many walk/trot transitions a horse can get along one straight-a-way; lots of turn-on-the-haunches/ turn-on the forehand; and cavalettis ad infinitum.

But finally, we seem to be getting a window onto spring with 5 days of decent weather. This week we have managed to get 2 good jumping schools in with most of the horses. This has been very useful in helping me grasp where the horses are and what we need to work on next. Over the next week I am going to try to take each horse separately on the blog and go over the ways that our training plans are being taylored to each horse's needs. The bits and pieces that we have been able to accomplish during the inclement winter do seem to be adding up and it seems the horses are primed to each move into a new level.

Our biggest challenge int he month of March is getting everyone out into the world and get over those first outing jitters. We have been so confined to the farm through the winter that I fear all of our training at home is not going to be obvious the first few outings because the horses will be so concerned with being in new environments. However, I do feel that our training patterns are so distinct to the horses that we will be able to engage their minds with work. But the proof is in the pudding and it is time to start making pudding!

On another note Springstone's Crown Prince has embarked on several exciting ventures. This weekend he he is being ridden in a Pony Club upper level prep by Elizabeth Coats. The few reports that we have gotten on his rides have been overwhelmingly positive. I have always known that he is an ideal young person's horse and a classic pony club mount, but it was great to hear that he had made such a positive impression on the National Examiners. After this weekend, Crown will move to Maddalena Equestrian's farm to be leased by Krissy Horn and shown in the Hunters and Jumpers. We are very excited to see Crown out competing this spring! He will continue to be for sale while leased by Krissy.

So, let's hope this good spring weather continues. We have lots of plans that we would like to see come to fruition!

When They Say a Sire "Stamps" His Progeny

Storm Cat

I have been distracted with terrible things like trying to make money this month and have been pretty neglectful of the blog. So in a fit of needing a bit of internet distraction from the commercial film production that I am working on, I found several photographs that epitomized to me the idea that a pre-potent sire "stamps" his foals. I was doing a little research on Storm Cat, the remarkable thoroughbred sire that produced some of the most expensive horses in history, and started to see a pattern. Without getting too wordy, let me share a few photographs.

Tale of the Cat

Iron Cat

Distinctive Cat

Forestry

Hennessy

Giant's Causeway

At Springstone Equestrian we have several second generation sons of Storm Cat, both who made over $60,000 on the race track- Crown (registered name Crown's Big Day) and Sox (Our Lucky Sox).

Here are a few articles about Storm Cat as a sire-

http://www.bloodhorse.com/horse-racing/articles/26985/storm-forecast-evaluating-storm-cat-as-a-sire-of-sires

http://www.drf.com/news/storm-cat-checking-living-legend

The Magic of the Rein Back

I have been riding for over 35 years and I have never paid as much attention as I did this past year to the rein back or teaching a horse to back up. I feel like I have discovered a magic wand, crystal ball, and enchanted book all wrapped up into one movement. What I mean is that I never knew that so many answers could be found in the success or failure of teaching of one activity on a horse.

The Foundation in a Philosophy

I came across the idea of "Natural Horsemanship" a number of years ago when my mom became interested in Pat Parelli as a way to address her and my sister's handling of the high energy thoroughbreds we all rode. At the time I was a distant observer, curious but skeptical of all of the lingo and tools in Parelli's way of instruction. The one thing that engaged me was the idea of breaking down the relationship between rider and horse. The "proof was in the pudding" I decided as I watched my little sister, who was at the time around 11 years old, develop a relationship with a thoroughbred that had repeatedly bucked my mom and myself off (one broken finger and I was done with the horse). My sister had taken the training to heart to the point of my sister being able to ride him bareback, bridle-less and jumping barrels.

My mom pursued her interest in Parelli and I took bits and pieces along the way and tried them on my off-the-track-thoroughbreds. My success was mixed given my luke-warm involvement in any particular "philosophy" of natural horsemanship, but I listened and observed and experimented. Eventually my mom's search for the sources of "horse whispering" brought her to the teachings of Tom Dorrence, Ray Hunt and Buck Brannaman. When she sent her 3 year old PMU filly to be started by a young woman, Susannah Fay, we learned more about Buck Brannaman. Susannah had been starting colts in Wyoming and had discovered Buck after an accident nearly sidelined her horse career. As I watched her work with my mom's filly, I could see how successful her methods were. I started listening a little closer. Eventually I asked Susannah to help me learn the groundwork and start several young horses. Buck Brannaman's no-nonsense approach with particular attention to the suppleness and balance of the horse appealed to me and my background in dressage. After Susannah's introduction and with my mother's encouragement, I attended several clinics and continued to educate myself on the Vaquero tradition. Even though the Vaquero tradition of horsemanship is rooted in ranch working horses, I have found that the focus on agility and responsiveness to light aids or signals translates well to the world of dressage and jumping.

The Rein Back in Simple Terms

I recently watched a video by Paul Dietz on Vaquero Horsemanship. I met Paul when he was assisting Buck at a recent clinic I attended. On his video he breaks down that the rider needs a horse to have six basic movements- forward, back, front feet to the right, front feet to the left, hind feet to the right, hind feet to the left. All movements whether it be a half pass in dressage, or a spin in reining, or a rollback over the hocks to cut cows, are based on the horse understanding how clearly to respond to the rider asking for one of these six movements. When starting a horse, the primary goal is to have the horse understanding the signals that the rider gives to do one of these six movements. The Vaquero tradition focuses on teaching this from the ground and then translating the signals to the back of the horse. Light pressure is always employed to "ask" for the movement and if the horse does not respond, the pressure is increased. Therefore teaching the reinback starts from the ground at any age teaching the horse to move backwards from light pressure on the lead and later from the snaffle bit.

The reinback begins with the horse shifting its weight from the forehand which is where the majority weight of the horse is carried, to the hindquarters and then stepping backwards. This rolling of balance to the hindquarters is the fundamental purpose of the half-halt in English riding. When a horse is taught to gently roll their weight back onto the hindquarters from a light pressure on the bit (and change of seat position of the rider when you become more finessed), then you have the balance and power needed to achieve expression of movement for dressage or scope over fences.

Exercises Using the Rein Back

I started off 2013 with one goal in mind for my horses- improve their "push" from behind, self-carriage and engagement. With my jumpers my goal is to get them all stronger and more adjustable so that when I push them forward to increase their stride, I don't have them flatten out. And in dressage, my goals center around improving their balance for better self-carriage on the 10 meter circles, and maintaining their balance in lengthening. I pay attention at each of the gaits for the moment when the horse's balance falls forward. Gently I bring the horse down to the halt and then rein back. I have to be sensitive to when the horse starts anticipating the rein back rather than waiting for my asking. Since most of my horses will compete at dressage at some point in their lives, I do not want to have them backing when I actually want a halt.

I also include the rein back between fences when I feel the horse falling forward. With a horse that anticipates or rushes fences, I try to use the rein back intermittently with halts and downward transitions so that the horse learns to wait for my aids rather than guess what I want. I will roll the horse over a shoulder in the rein back changing where the horse is headed so that I can present the horse to another fence that they were not previously anticipating. I always do this exercise over small fences or cavaletti since the goal is to increase the horse's response to the aids, not jump higher.

As the horse rebalances onto their hind end, they begin to feel very light and maneuverable. The test of their strength is to do the 10 m circles at the canter and see if they respond by staying more balanced and upright. Also as the jumps get larger, test whether the horses regains their balance between and after the fences with the slightest aids. In this way you will see that including the rein back throughout your work routine improves the overall balnce and responsiveness of the horse

Escaping the January Mud

Just when things were feeling and looking great... The rain set in with a cold vengeance and we have been rendered completely useless. It's Thursday and the temperatures are dropping, the rain turning to sleet and snow. For four days, Tucker and I have been slushing feed and hay through the mud, changing out soaked blankets and letting a few into the stalls to dry out. The first day of rain, I trimmed Vicar but decided to wait to repair his cracks until things were a little drier. I trimmed Z's mane on Tuesday. But overall, we've accomplished NOTHING for 4 days. I have to tell you there is nothing that irritates me more than doing nothing.

So, soaked and freezing, I dragged Tucker off to Starbucks yesterday and pulled her into my favorite January fantasy... The Winter Mixed Sales at Keeneland and Ocala. Last year I actually escaped the misery of January and went with Yvonne Maddelena and Danielle to Keeneland for the sale. This may have been a bad idea since I really didn't need much more fuel on the fire of my passion for Thoroughbreds and racing. But the sale, the exchange of money for unproven genetics, the study of statistics and the beautiful horse flesh converged in my mind like a literary well spring. Here was a world that I longed to participate in, but even if I couldn't, I could virtually participate in. You see, the American Thoroughbred industry is the most incredible machine in the horse industry because it is thickly layered with statistics, industry press, and methods for anyone to participate. And I mean ANYONE- blue blood to blue collar.

Here's how they do it...

There are several arenas of the Thoroughbred industry that are monitored by industry tools. There is the auction- the place where genetics and the marketplace create a whirlwind of wins and losses that number in the millions. Each major auction site (Keeneland, Ocala, etc.) maintains an extensive, highly searchable database of bloodlines, buyers, sellers and prices. Sales happen several times a year with focuses on different types: yearlings, two-year olds in training, broodmares. Buyers are able to research endlessly to predict prices on their desired purchases. Matings for the year are planned and stallion breeding shares are determined on recent market highs and lows. These micro-economies illustrate trends in the marketplace as a whole. The information is abundant and search-ability rivals any Google pursuit allowing any student of the industry an opportunity to imagine themselves an expert. If you are a research junkie like myself, the tools of the auction sites are better than any candy shop I've been in.

The first Thoroughbred auction I ever attended was the Ocala Winter Mixed Sale in 1996. I talked my grandmother (who was my favorite horse show and horse activity companion until her death in 2007) into driving down to Ocala to take in the horse world during one break when I was home from college  for the holidays. While in Ocala we attended a show jumping competition and a day of the sale. At that time I was much more familiar with the world of show jumping than I was with racing. When we entered the main auction room I was struck with the formality and etiquette that was totally unfamiliar. Also I was struck by the prices. Fat colts garnished high dollars while horses of riding age that looked like perfectly good specimens for showing sold for almost nothing. I remember catching the attention of an older gentleman that could see right away that we were novices. We were thankful when he opened the catalogue and began to decipher the pedigrees and expressions of value. I knew nothing of what it all meant and a single explanation was hardly enough to discern the meaning that the other bidders battled over. However, my curiosity was sparked. The older gentleman offered one piece of advice, "Most people determine a horse's worth by their sire. But the real success of a horse is in their damlines." Anyone who's been around horses a while can recognize the tone of wisdom in an old horseman's voice. To this day when I'm looking at a pedigree I hear that fellow's voice.

Yvonne matching the catalogue with the horse.

When I attended the Keeneland Winter Mixed Sale in 2012, I was equipped with a notebook of research and some experienced company: my friend Danielle and her parents who had purchased several yearling in years passed. I was also thankful to have Yvonne with me. She is one of the few horse friends that I have that is as engaged by the world of racing as I am (I may have corrupted Tucker by now). Mind you, I had no intention of purchasing anything. I was on a pure reconnaissance mission. (In my fantasy world I will one day try my hand at the racehorse world). This adventure was definitely more fleshed out than my first sale experience. We spent time in the barns before the sale, handing over cards with the numbers for the horses we wanted the consignors to parade out for us. We stood in the holding area of the sales pavilion and examined vet records. At one point Yvonne and I talked ourselves into bidding on a broodmare that quickly priced out of our pittance budget. All the while Danielle and her father explained nuances that were passing over our heads without notice- fractions from recent races of racing age fillies and colts, conformation faults that were easy to overcome in racing versus ones that were crippling... the tapestry of the auction world increasing in intricacy and allure as the day wore on.

Danielle assured us that our experience was not complete without a visit to the stud farms. Did I happen to mention that Danielle is a very successful enabler of anyone with a Thoroughbred problem?

Winstar Farm

The view from Darley

In my opinion, one of the great treasures of Americana are the Kentucky bluegrass Thoroughbred stud farms like Lane's End. These farms are palatial symbols of American agriculture. They are immaculate, grandiose and pastoral like no other place I have seen in this country. Part of what is so incredible is the quantity of beautiful farms. We had time to visit four farms and were able to see in person great sires such as A.P. Indy, Holy Bull, Dynaformer, Street Cry and the ever popular Bernardini. It was an experience that only added to the romance of racing.

Bernardini

Flashforward to 2013 and January in the Alabama Mud

Since Danielle has relocated to Florida, she planned to attend this year's Ocala January sale. Although I do not have the means to be in Florida for the sale, the weather in Alabama definitely sent my mind to Florida. She was interested in a horse of racing age and I followed along virtually by watching the Under Tack Show of the horses galloping and making a list of virtual picks. I commented on certain horse's styles of running- some ran head high, others stretched long and low as they dug into the dirt. One gelding struck both of us as having an impressive stride and style. I also took particular interest in an English Channel colt with a broad white snip across his nose and gallop that was flat and seemed to cover twice the length of a normal horse's stride. (As an aside, I read yesterday that stakes winning horses on average have a stride length of over 24 feet). I made a list of choice horses on my Ipad and the following day of the sale, between strides across the six inch deep mud to dump the wheelbarrow of manure from cleaning stalls, I checked auction results to see how my choices did. Meanwhile, Danielle was on scene, in the action, trying to purchase her own picks. The results were discouraging for a poor horseman like myself. And based on the brief texts from Danielle after the auction, she was thinking something similar. (Two years ago it seemed like anyone could buy a racehorse at an auction with a little bit of chump change. Now the chump change is getting serious. If the racing industry is any indication of the progress of the economy, America is definitely on an uptick.) Of my picks, the English Channel colt was the highest priced. Maybe someone else was also measuring his stride at over 24 feet.

At Starbucks with Tucker, I easily engaged her research-minded nature in the sources of information and the guesswork connected with the auction. A year ago when I returned from Kenneland, we used the "Virtual Stable" on Equibase to satisfy our racing desires. Tucker filled her imaginary barn with Lawyer Ron runners and I imagined success for 2 year olds by such new sires as Utopia. Throughout this past year, we would occasionally comment on the successes or failures of our horses. We tried to understand how recorded workouts reflected on eventual races, all the time enjoying these up to the minute results available from the tool the Thoroughbred industry uses to fuel racing passions.

Just a Horse of Course

I love escaping the drudgery and frustration of a muddy January by spending hours on the internet following rabbit trails and hunches through the maze of information on Thoroughbred racing. The fields are unridable at the moment and keeping my horses warm and not losing too much weight in this weather is enough to keep me awake in the middle of the night. Thankfully I can distract myself with the genetics and economics of the sport of racing. The tools the industry provides to gather statistics means that even though I do not have millions to spend purchasing and racing horses, I can populate my fantasy world with real buys and watch their successes and failures without feeling the financial pain of the actual owners. Meanwhile, back in reality, I will continue looking after my youngsters who have migrated from their failures in the "glamourous world of racing" to our humble setting in Alabama and try to convince them that racing is nothing compared to jumping and dressage... in spite of the mud of January.

January Mud in Alabama

Mickey Mouse and his Influence on New Year's Resolutions

Leaving the Ponies Behind for a Much Needed Family Vacation

Two days after Christmas, the Jackson family left the ponies in Wilsonville and headed south to join the Baran family clan in the land of Mickey. It was a much needed escape from all things work-related, horse-related, and general daily stresses. We were thrilled to be invited to the semi-annual family gathering of the Barans, my late step-father's extended family, and were ready to enjoy some good-times in the Disney World Kingdoms with my mom, sister and the wonderful Baran clan. In spite of remarkable crowds, we managed to work our way through the international throngs of people and enjoy a few rides, a few shows and generally drink in the happy world of Mickey and friends. I say this with a tone that might sound sarcastic to some- given any previous experience with the wall to wall people of holidays at Disney- but in all honesty I was completely blown away by the wide-eyed, goofy happiness that people from all over the world could share in spite of waiting in line for two or more hours for 5 minutes of fun. And I was right in there with them.

On the 9.5 hour drive home after our four days of Disney, I had a lot of time to reflect on the power and success of Walt Disney's empire and what made it so attractive to so many people from every corner of the world. I was completely awestruck by the people- thousands of all ages, races and languages- proudly sporting a set of mouse ears. And believe me, my cynical-side was completely prepared to scoff at Mickey's classic show, "Dream Along with Mickey" at the foot of Cinderella's castle. But I had Honor, my three year old daughter and I knew I was going to watch the show for her. What I hadn't realized was that I would get tears in my eyes as Mickey tried to convince Donald that, "Dreams Really do Come True," and they wouldn't just be sentimental tears for Honor. They were sentimental tears for myself. I too really wanted to believe that, "Dreams Really Do Come True." So just like the rest of the masses, I was soon ready to don a pair of mouse ears. If Walt Disney could imagine a theme park like that, figure out a way to convince millions, maybe billions of people to travel thousands of miles, and pay thousands of dollars to stand in hours and hours of lines, anyone's dream- given the right planning, right people and right circumstances- could come true. Tears shed, I was ready to drink the Disney kool-aid.

So, how does Disney do it? I reflected on this question and these are the simple answers I took away from my Disney World experience: Stay Positive. Have a simple system and stay committed to it. Encourage optimism in others. Envision the future within the scope of your system. Produce a reliable product first, an exceptional product will eventually happen if the system, the future vision and the optimism stay in place. But above all, don't be afraid to be happy and dream big. Maybe this sounds silly to you? Well you probably need some mouse ears to get it.

Back at the Ranch

On December 19, I rode five of my horses for the last time in 2012. After each ride, I had a feeling that the horses understood some of the simple things I had been working on and we were ready for the next level. I guess it was coincidence or maybe a horse conspiracy, or just my vacation-needing imagination that made it happen in one day. Regardless, I happily kicked the ponies out into the pasture and said, "See ya, next year!"

I got back from Disney World on New Year's Day and returned to the farm the next day. As usual, time away only filled my head with more ideas and ambitions. As well as going to Disney, my mom, sister and I spent one day at Tampa Bay Downs with my good friend and source for all things thoroughbred, Danielle. The one day in another horse world had given me an interesting perspective on the horse business in general that will take weeks, maybe months to sort through. But needless to say the day at the track also confirmed some of the same ideas I had developed from my experience at Disney; namely, success is built on methodical adherence to a simple system. The key here that I think I was still missing in my program was "methodical adherence." If you know me, you know that creating and thinking forward is easy for me, but being methodical? That is an elusive skill.

On the track, everything gets started around 5:00 am, and training on the track starts at 6:00 a.m. Every horse that needs to be worked, has to be fit in before 10:00 am when the track closes for training. Several hundred horses must be worked in this four hour window. In order to successfully accomplish this especially with young, extremely fit Thoroughbred horses, riders and trainers must be efficient, systematic and cooperative. All the horses are worked in a similar fashion, in the same direction, with a very consistent routine. Riders and trainers follow "the rules" in the barns as well. For example horses are cooled out with hand walking along the shedrow, all going in the same direction with specific etiquette for any stopping and watering. The sheer quantity of horses requires a method.

I have certain circumstances that prevent me from starting my day at the barns at 5:00 am, namely a child to get to school and a 45 minute drive to the farm. However the clearly defined time in which to accomplish my training is very much a reality. Committing to training a certain number of horses within that time frame is where the method comes in. I basically have 6 hours each day to get 8 horses worked. This means I need quality not quantity in my rides, with an added awareness of how to spread out a fitness regimen between the horses to make up for the shorter rides.

The System

As I have stated before in my blog, I like themes in my training. It helps me have a touchstone by which to evaluate the progress of such a variety of young horses. When looking backwards from my competition goals for each horse, I think about where the holes are and what exercises will fill in the gaps and improve the overall way of going. Even though my horses may specialize in competition in either show jumping, dressage or eventing; I train all of my horses generally as if they are going to event. What this means is that their dressage skills, their show jumping skills and the cross country skills can not be neglected. In simple training terms, this means that they need to be supple, balanced and obedient in their flatwork; and relaxed, rhythmical and brave over all types of fences. Obviously these skills are intermingled. So the system starts with this overall objective.

On a day to day basis, I pick a skill to work on and an exercise to achieve that skill. I keep my ride simple and positive. I ride for a minimum of 20 minutes and rarely more than 45 minutes. If I get what I want in 10 minutes, I trot hills, walk the lake (in the winter I am lucky to have the lake bed filled about 2'6" feet deep with water which provides a nice strengthening exercise) or I pick a footwork challenge for the horse- negotiating a muddy bank, hopping over a scary ditch, cavaletti. When I only have 15 minutes for a horse at the end of the day, I do some sort of groundwork inspired from the Buck Brannaman clinics I have done which improve the sensitivity of the horse and encourage the horses confidence in itself and me.

Producing a Reliable Product

Last year my business became more focused on training horses for sales. Although I love and want to teach young riders, my location is beyond the distance that most suburban parents can carry their children after school for lessons. As a result I have begun to pay more attention to what kinds of horses riders want to purchase. One of the glaringly obvious realities of the show horse marketplace (especially in eventing) is that there are a lot of horses out there for sale that are difficult to ride and difficult to handle. I am most familiar with the horses available for sale in eventing and I have observed that the majority of horses produced by upper level riders that are for sale were either originally purchased to be upper level mounts but didn't make it; or they have been rushed up the levels in order to get a price that gives the trainer some sort of return on their investment. Both of these scenarios rarely produce a horse that is a suitable mount for an amateur or young rider. I am not trying to pick on upper level riders. Actually I am incredibly sympathetic. The economics of eventing is set up to create this scenario. There is absolutely not enough money in eventing to support an "event horse sales business."

Unfortunately but fortunately for me, I can not afford to show my horses all the time. I have to be very selective about putting them in shows that they can be successful in. And I have to spend the majority of time training rather than showing. This is not to say that my horses are somehow better trained than another trainers. We all know that you can train a horse to death at home, but if they have not been to a show, you have no idea how well they will handle the show environment. Rather I am stating how I have had to tailor my ideas and goals with horses based on my economics. Instead of producing a flashy, adrenaline-inducing upper level show horse, I have turned my attention to producing a reliable, confident horse that amateurs can ride in a show or clinic and have fun. And if Walt Disney's philosophy works, the exceptional product will come out of producing a reliable product with an eye on the future.

Now that I have picked on upper level riders, let me pay a compliment based on an experience I had with a horse for sale that was ridden by the upper level rider, Charlie Plumb. In 2011 I had a student looking for a horse and one of the first horses that we tried was a young horse that Charlie was competing at the Novice level. We were at an event at Chattahoochee Hills and after the event was over, we took this horse and another of Charlie's out on cross country to try. I rode this horse and my student rode another of Charlie's that we expected to be more suitable. I liked the young horse I rode, but he was clearly a bit mischievous as Charlie had told me and not suitable for the student. A year later, I was with another young rider trying horses and we tried this same horse. The horse was now competing consistently at Training level and regularly in the top 5 in its division. I asked Charlie why he had not moved the horse up and he mentioned several reasons but most importantly he said he had recognized that the horse was going to be a horse for an amateur or young rider and he wanted to make sure it had a solid foundation. When I rode the horse a year later, I was very impressed with the changes in the horse. He was workman-like, rhythmical and generally easy to ride. Unfortunately he was a bit small for the young rider I was with and therefore we had to pass on him. But I was impressed with the training that Charlie had done with the horse over the course of a year.

We all know that horses are good at making liars out of the best of trainers. Also the economics of horses can be high risk/low profit, making it a marginal business endeavor at best. But I keep looking for ways to beat the odds, stay optimistic and dream big; and I have come to the conclusion that if you make horses that make people happy over the long run, then the economics will work out. And the trick to this is making sure the horses are "broke" before you get out there competing. So the system has to have a foundation in ridability.

Disney's Influence on my New Year's Resolution

I am now a week into my new year of riding with my resolution of a "methodical adherence" to a system that produces a reliable mount and I have to say the results are inspiring. I think the two week break helped everyone and the horses returned to work feeling very sound with happy attitudes. But the routine also seems to be contributing to remarkable headway. I have already begun working over ditches, jumping banks and liverpools with all of the horses including J'Adore, Phippen, Crown and Rocky. My theme on the flat has been to improve engagement or "push" through transitions and lateral work and the horses seem to be trying harder and listening better. In general I see that everyone seems to have a clearer head about the work to do.

As the new year progresses I plan to evaluate whether the intermittent shorter rides effect fitness. One of the things I noticed last year in all of my horses was that I wanted them to be stronger and possibly a bit more fit (carrying their effort over a longer ride). I intend to do more strength training this year, including more hill work and interval training. My competition goals remain ambitious and I will have to stay consistent rain or shine with this routine to have that ridable, competitive horse that I aspire to.

So, thanks Mickey, for the inspiration and I'll get back to you Donald on whether dreams really do come true if you follow Walt's way of doing things.

Breeding the Show Jumper - Influence of the Selle Fracaise bloodlines

Quidam de Revel

In order to improve my own education on bloodlines I have been doing a bit of research into prominent show jumping horses and their families. I have used several sources that I was previously unaware of including the sites:

Sporthorse Database

World Breeding Federation of Sport Horses

The WBFSH compiles a list of top horses competing in each discipline and the bloodlines. They also have a list of top sires. These lists are based on FEI competition results. I also looked at the horses that were in the top 10 placings in show jumping at the 2012 London Olympics. In some cases the same horses were involved. In many cases the same bloodlines are involved. One of the impressions that I got from studying this list was the overwhelming presence of Selle Francais bloodlines in the top show jumping horses; even in the top competing Dutch, Holsteiner and Belgian Warmblood horses.

WBFSH Top 10 Jumping Sire Ranking

1 BALOUBET DU ROUET (SF)- 10.328
2 KANNAN (KWPN) - 9.576
3 DARCO (BWP)- 8.442
4 QUICK STAR (SF) - 7.983
5 HEARTBREAKER (KWPN) - 7.499
6 CARETINO (HOL) - 6.844
7 QUIDAM DE REVEL (SF)- 6.308
8 NABAB DE RÊVE (BWP but 100%SF)- 6.067
9 DIAMANT DE SEMILLY (SF)- 5.644
10 CARTHAGO (HOL)- 5.585

Of the top 10 Sires, 5 of them are 100% Selle Francais; 3 are over 25-50% Selle Francais, 1 is 1/8 Selle Francais. Only Darco has no evidence of the Selle Francais blood influence.

The top 10 horses in Show Jumping from the Olympics are:

Nino Des Buissonets (SF) Kannan/Narcos II
Eurocommerce London (BWP) Nabab de Reve/ Chin Chin (56% SF)
Blue Loyd 12 (Old) Landor S/Hadj (50% SF)
Noblesse Des Tess (SF) Cumano/ Irak E
Rosalia La Silla (HOL) Cassini I/Contender (12.5% SF)
Hello Sanctos (SBS) Quasimodo/Nabab de Reve (62% SF)
Big Star (KWPN) Quick Star/ Nimmerdor (50% SF)
Flexible (ISH) Cruising/Safari
Star Power (KWPN) Quick Star/ Calvados (75% SF)
Tripple X III (AES- KWPN) Namelus R/ Calve Z(25% SF)

Out of these 10 horse, 7 are 50-100% Selle Francais. Two of the remaining three are 12-25% Selle Francais. Only Rich Fellers' Cruising does not have a significant influence of Selle Francais in his breeding. However, he is significantly Thoroughbred in his Irish Sport Horse breeding which is worth considering when analyzing what kind of genetics make the Selle Francais blood so significant in top level show jumpers.

Whenever you take current success at the top of the levels and try to break it down to bloodlines, you have to take into account trends at the time that the horses were born. In this case the majority of the horses competing in the Olympics were born between 2000-2003. Two Selle Francais sires that show up more than once in direct lineage are Nabab de Reve and Quick Star. Cor de la Bryere is the most well known Selle Francais that shows up somewhere in almost all of the show jumping sires. I examined these three stallions in an effort to better understand the nature of the Selle Francais success.

Cor de La Bryere - the Thoroughbred influence

Cor de la Byere was born in 1968 in France. "Corde" as he was nicknamed was by Rantzau, a French Thoroughbred racehorse who later became most well-known for the jumping horses that he sired. Rantzau had a reputation for producing sensitive, difficult horses that were generally excellent jumpers. The dam of Corde was Quenotte B by Lurioso,who was sired by Furioso, an equally influential Thoroughbred stallion. She was a Selle Francais show jumper. Although Cor de la Bryere's bloodlines were considered exceptional, the French selection committee recommended that he be gelded. Instead he was sold to the Holsteiner Verband as a 3 year old and later that year won his 100 Day Test.

Cor de la Bryere stood at 16.2 1/2 hands (169cm). He was a dark bay with one white hind stocking. I was unable to find out any information about whether he was ridden, but his success in the breeding shed overshadows any question of his value. With select mares he produced some of the most important sires in sporthorse breeding.

As quoted in a Eurodressage article:

The mare Tabelle (by Heißsporn) brought five approved sons in a row. First of all the sons Calypso I and Calypso II got big influence in the Holsteiner - and Hannoveranian - breeding of today. The mare Furgund (by Colombo) was bred by Cor de la Bryère 18 times and delivered five approved sons. One of them, Calando I, was German Champion in jumping with Karsten Huck, and today he is still one of the most important sires of the Holsteiner breed.

The mare Deka brought the approved stallions Caletto I, II and III by Cor de la Bryère. Calleto I was very successful in the international jumping circuit with Michael Rüping and today he is a demanded sire. The most important Cor de la Bryère-son for the breeding must be Caletto II, sire of the Olympic Champion Classic Touch, who lost his life by a tragic accident after only four years breeding.

The offsprings of Cor de la Bryère were also very successful in sport. First of all the dressage champion Corlandus, who was a highlight on the international dressage scene for many years, ridden by French Margit Otto-Crepin. The grey Corrado I, who has returned for breeding at the Holsteiner Verband, won several World Cup-qualifications under Franke Sloothaak.

Corde was known to produce incredible bascule, scope and jumping technique. He was also know to produce highly trainable, good dispositions with an excellent, balanced canter. He had a freedom of movement that made him suitable for both jumping and dressage horses. His athleticism and springiness improved the longevity of jumping horses preventing premature breakdowns previously caused by horses that exhibited only raw power. However his influence was predominantly in the German breeding of Oldenburgs and Holsteiners, where he crossed well with the powerful, heavier warmblood mares. It took a number of years for the French to see the usefulness of their own son.

Quick Star - The Anglo Arab Influence

Quick Star was born in France in 1982. His sire is the well known Galoubet who is predominantly French Trotter crossed with Thoroughbred. And his dam, Stella, who was 7/8 Anglo Arab was a highly successful jumper under Nelson Pessoa. Stella was sired by Nithard, who was considered the "foundation sire of the modern Anglo-Arab." Nithard started with a respectable career on the racetrack but went on to sire some very influential progeny including his grandson, Matcho AA, who was imported to Hanover and has had a significant influence as a broodmare sire of dressage horses.

Quick Star was small in stature standing just at 15.2 hands (159cm). He was ridden by Meridith Michaels, who took him to Germany with her when she moved and later married Markus Beerbaum. While in Europe with Meredith Michaels-Beerbaum, Quick Star was stabled at Paul Schockemoele's stables and was supposedly used by Paul Schockemohle for his own breeding purposes covering around 400 mares without the owner's approval. The owner, Alain Katz, had difficulty impressing the French breeders with this "midget" but the criticism was soon proven wrong by the success of his offspring. He seems to have inherited force, power and courage from his Galoubet lines, and the intelligence and technique of his dam line.

Quick Star is known for producing spirited horses with lots of character; strong, short backs capable of catapulting over the fences, and occasionally some aesthetic weaknesses including disproportionate head and necks, and less than perfect front ends. His youngsters are known for their strong wills, keen attitudes, and incredible jumping talent. In forums on the internet, he is described as a producer of horses that challenge the average amateur but are unmatched in jumping talent.

Nabab de Reve - the French Demi-Sang influence

Nabab de Reve was born in Belgium in 1990 and is by the well known Selle Francais stallion, Quidam de Revel. Although Nabab de Reve is registered as a Belgian Warmblood, his dam is also a registered Selle Francais. The bloodlines are pure French, combining well known French Demi Sang lines with an infusion of Thoroughbreds such as Orange Peel, Furioso, Rantzau. The result was a highly successful show jumper that competed at the international level with great success. Nabab's jumping style shows great front end technique characteristic of other French Thoroughbred lines like Furioso and Rantzau. But unlike the hotter more aggressive style of a horse like Quick Star, Nabab appears to leisurely power over the fences.

Nabab was ridden by Phillipe Le Jeune at several world championships including winning the bronze medal at the World Games at Jerez. In 2002 he was named Horse of the Year by the BWP ( Belgian Warmblood organization). He has produced several licensed sons for the BWP including Bacardi van’t Lambroeck, Winsome v d Plataan and Vigo d’Arsouille. Nabab de Reve has produced numerous successful show jumpers including Olympic successes, Eurocommerce London, and Hello Sanctos. He has proven to be an excellent broodmare sire and seems to cross well with the offspring of Cor de la Bryere's sons. He is also considered an excellent cross with Heartbreaker mares. Unfortunately his frozen semen has mixed reviews and there are few off-spring in the United States. Nabab's get tend to be large with notoriously plain heads. They are known to be honest with a good temperament for amateurs. In most videos of offspring that I have seen, Nabab produces horse with elastic form, great shoulder rotation and opening up of the hind-end over the fences.

Expertise is Earned not Purchased

Breeding success is not something that can be purchased in a single horse or dose of semen. The majority of breeders that have produced Olympic show jumpers have acquired their knowledge through years of experience at shows, auctions, and the breeding shed. The Selle Francais's success in show jumping seems to be the result of a multi-generation focus on creating superior jumping power and technique. The Selle Francais breeders have combined proven Anglo Arab and Thoroughbred blood with the stronger, more powerful French warmblood and trotters to produce horses that have a reputation for being keen and careful jumpers with a lot of power. The bloodlines that are more predominantly Anglo-Arab lines have a reputation for quick, careful jumps as well as strong wills and intelligence making them excellent top level competitors but not necessarily suitable for an amateur.

It seems that a breeder interested in pursuing a breeding program that utilizes the Selle Francais lines would be advised to consider the distinctive differences in temperaments between the Selle Francais horses heavily dosed with the French Demi Sang/ Trotter lines and the more Anglo-Arab/ Thoroughbred lines. This requires an examination of three to four generations. But regardless of the choice in family, it is undeniable that the Selle Francais lines offer a heavy dose of power and technique on the horse bred for the top levels of show jumping. The number of Selle Francais horses that were successful at the Olympics in 2012 indicates to me that the French continue to have a "finger on the pulse" of successful pairings for top level show jumpers.